AI Image Generator for Architects

Render the white card massing model in Image 1 as the real, built house photographed on its site. Keep the two gabled volumes, their proportions, the angle between them, the flat-roofed link and the camera position exactly. The grey-board contours become a gently sloping hay meadow and the dried-flower trees become real oaks and birches at the edge of a wood, with a soft green valley beyond. The longer volume is the house, the shorter one is the studio with one fully glazed gable end. Walls in vertical untreated larch boards, honey colored; roofs in pre-weathered grey standing-seam zinc; a few tall windows with deep oak reveals in the long sides. Low late-afternoon sun from the left, long shadows across the grass, a clear pale sky. A calm, warm architectural photograph on 35mm film. No people, no text.

The inside of the studio in Image 1, the shorter building with the fully glazed gable, photographed from the back of the room looking toward the glazed gable and the valley beyond. Keep the building's materials: an exposed larch frame and boarded larch ceiling following the pitched roof, pale oak floor, the gable glazed floor to ridge in slim oak frames. A long oak drawing table with a few rolled drawings and a lamp, one wooden chair, a low shelf of books. Late-afternoon sun comes in low through the glass and lays long warm patches across the floor; outside, the meadow and the soft green valley. One person sits small at the far end of the table, seen from behind, reading. Calm, warm architectural interior photograph on 35mm film. No text.

Show the same house and studio in Image 1 from the same camera at dusk, twenty minutes after sunset. Keep both buildings, their larch walls, zinc roofs, windows, the glazed gable, the link, the trees and the valley exactly. A deep blue evening sky with the last pale glow over the valley; warm amber light inside every window and filling the studio's glazed gable, spilling onto the grass; the larch walls soft and dark. Calm, warm architectural photograph on 35mm film. No people, no text.

Show the same house and studio in Image 1 from the same camera on a still winter morning after fresh snow. Keep both buildings, their larch walls, zinc roofs, windows, the glazed gable, the link, the trees and the valley exactly. A smooth layer of snow on the roofs, the meadow and the branches; frost on the oaks and birches; a soft warm light on in the studio's glazed gable. Low clear sun from the left, a pale blue sky, long blue shadows on the snow. A calm, warm architectural photograph on 35mm film. No people, no text.

Build the house and studio from Image 2 on the meadow in Image 1. Keep Image 1's camera, the meadow, the mown path, the wood and the valley view exactly. Place the two gabled larch volumes and their flat-roofed link inside the rectangle marked by the four orange-taped pegs, sitting into the slope, the glazed gable of the studio facing the valley on the right; take their materials, windows and proportions from Image 2, scaled to the pegs. Remove the pegs. Same bright overcast afternoon light as Image 1, with the house lit to match. A believable photograph of the finished building, 35mm film color. No people, no text.

Render the white card massing model in Image 1 as the real, built house photographed on its site. Keep the two gabled volumes, their proportions, the angle between them, the flat-roofed link and the camera position exactly. The grey-board contours become a gently sloping hay meadow and the dried-flower trees become real oaks and birches at the edge of a wood, with a soft green valley beyond. The longer volume is the house, the shorter one is the studio with one fully glazed gable end. Walls in vertical charred black timber boards with a soft silver sheen; roofs in black standing-seam zinc; a few tall windows with deep oak reveals in the long sides. Low late-afternoon sun from the left, long shadows across the grass, a clear pale sky. A calm, warm architectural photograph on 35mm film. No people, no text.