AI Illustration Generator

A square editorial spot illustration about cooking at home: a pan on a stove with steam rising, a wooden spoon resting across the pan, a pepper grinder beside it. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus one small tomato red accent; where shapes overlap the inks overprint to a darker tone; light and shadow drawn as hard-edged cream and navy shapes; a fine dry paper grain and slightly uneven ink. The pan sits in the middle with plain cobalt ground around it. No text.

A landscape editorial spot illustration about working from a cafe: a small round cafe table seen from slightly above, an open laptop, a cup of coffee on a saucer, and one forearm and hand resting beside the laptop, with a hard-edged patch of morning window light falling across the table and the shadow of the window frame. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus one small tomato red accent on the cup; where shapes overlap the inks overprint to a darker tone; light and shadow drawn as hard-edged cream and navy shapes; a fine dry paper grain and slightly uneven ink. The table sits in the middle with plain cobalt ground around it. No text, no logos.

A landscape editorial spot illustration about a commute by bike: a person in a long coat and trainers riding a city bicycle across the white stripes of a street crossing, seen from the side, their long morning shadow stretched across the stripes. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus one small tomato red accent on the bicycle frame; where shapes overlap the inks overprint to a darker tone; light and shadow drawn as hard-edged cream and navy shapes; a fine dry paper grain and slightly uneven ink. The rider sits in the middle with plain leaf green ground around them. No text, no logos.

A landscape editorial spot illustration about a weekend market: one hand lifting a brown paper bag full of oranges and leeks out of a wooden crate, the striped shadow of a market awning falling across the crate and the bag. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus tomato red oranges as the one accent; where shapes overlap the inks overprint to a darker tone; light and shadow drawn as hard-edged cream and navy shapes; a fine dry paper grain and slightly uneven ink. The crate and bag sit in the middle with plain warm cream ground around them. No text, no logos.

A landscape editorial spot illustration about a phone call: a person leaning on the rail of a small city balcony with a phone held to their ear, a potted lemon tree beside them, the late-afternoon shadow of the railing falling across the wall behind. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus small tomato red accents on the lemons' pot; where shapes overlap the inks overprint to a darker tone; light and shadow drawn as hard-edged cream and navy shapes; a fine dry paper grain and slightly uneven ink. The balcony sits in the middle with plain deep navy ground around it. No text, no logos.

A portrait editorial spot illustration about a morning swim: one swimmer mid-stroke in an outdoor pool lane, seen from directly above, a lane rope of alternating cream and tomato red floats beside them, ripples drawn as a few cream shapes. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus the tomato red floats as the one accent; where shapes overlap the inks overprint to a darker tone; a fine dry paper grain and slightly uneven ink. Plain cobalt water fills the frame around the swimmer. No text, no logos.

Use the layout of the pencil sketch in Image 1: the bench, the person reading and the big round tree where the sketch puts them, and the path curving behind. Make the finished illustration itself, flat and full frame, not the paper or the desk. A landscape editorial spot illustration about reading in the park. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus one small tomato red accent on the book; where shapes overlap the inks overprint to a darker tone; the tree's shadow drawn as one hard-edged navy shape across the grass; a fine dry paper grain and slightly uneven ink. Plain warm cream ground around the scene. No text, no logos.

Redraw the phone photo in Image 1 as a landscape editorial spot illustration: keep its three potted herbs, the watering can, the window frame and the sun's shadows across the sill where they are, reduced to a few flat shapes. Flat screen-printed shapes with no outlines, four inks, cobalt blue, deep navy, leaf green and warm cream, plus tomato red terracotta pots as the one accent; where shapes overlap the inks overprint to a darker tone; the sunlight and the shadows drawn as hard-edged cream and navy shapes; a fine dry paper grain and slightly uneven ink. No text, no logos.

Create a landscape vector illustration from the layout of the pencil sketch in Image 1: a person reading on a park bench under one big round tree, a path curving behind. Take the inks and the shape language from Image 2; the subject and layout come from Image 1. Flat fills only in cobalt blue, deep navy, leaf green and warm cream, with one small tomato red accent on the book; shapes overlap with darker overprint where they cross; the tree's shadow as one navy shape; no outlines, no gradients, no text.