AI Poster and Flyer Generator

A portrait gig poster, screen printed in two flat inks on uncoated paper: a saturated vermilion ground and a deep navy ink. The sheet sits inset on a black field with an even margin. The word "BOSSA" is warped with a pinch and perspective distortion so its strokes swell and taper and fill the whole sheet. Supporting lines in a heavy condensed grotesque, bent along the same warp and tucked into the gaps between the letters: "SATURDAY 9 AUGUST", "9 PM", "LIVE ON THE ROOF", "12 HARBOUR STREET". A small tagline at the top: "SUMMER SESSIONS". A thin navy crescent moon sits in one gap, for a rooftop night in August. The print is photographed flat under soft north-window daylight, showing slight ink spread at the letter edges and the paper's tooth. Every line of text stays inside the sheet. No other text.

A portrait type poster for a small clothing label's sample sale in November, screen printed in two flat inks, signal red and near black, on bright white uncoated paper. The word "SAMPLE" set huge in a tight heavy condensed grotesque in near black across the top, edge to edge. Below it, the word "SALE" in the same face, repeated five times in a stack, each repeat printed fainter in red, as if the screen ran out of ink. A small near-black text block at the lower left: "WARD & PELL", "Saturday 14 November", "10am to 5pm", "Unit 3, Canal Works". White margins on every side; all text well inside the sheet. Shown flat and full frame under even north-window daylight, crisp ink edges, slight ink spread, faint paper tooth. No pictures, no starbursts, no other text.

A portrait type poster for a summer courtyard film club, screen printed in flat inks on uncoated paper: a deep ultramarine ground, warm cream ink, and one accent of signal yellow. "FILM" over "CLUB" set huge in a tight bold neo-grotesque in cream, letters almost touching, filling the top half edge to edge. Below it, one flat signal-yellow wedge, a projector beam, widening from a small point at the lower left to a flat cream rectangle at the right, the screen. A small cream text block at the lower left: "FIG COURT", "Thursdays in July", "9.30 pm", "Bring a cushion." Even margins; all text well inside the sheet. Shown flat and full frame in soft north-window daylight, crisp ink edges, faint paper tooth. No pictures, no texture inside the shapes, no other text.

A portrait opening poster for a neighborhood bakery on a river street in early spring, screen printed in two inks, deep cobalt blue and mustard gold, on speckled cream stock. The top half is a geometric mosaic of bakery shapes in cobalt: round loaves, a braided loaf, croissants, wheat ears and a swallow in flight, filled with halftone dots and rough screen-print grain. In the center, a gold oval reading "FERRY STREET BAKERY" in caps with a small swallow mark. Below it, "NOW OPEN" in large condensed cobalt caps. Then three menu lines in a cobalt monospaced face with prices aligned right: "SOURDOUGH LOAF 6", "OLIVE FOCACCIA 4", "PISTACHIO BUN 3.50". At the foot: "From 7am · 22 Ferry Street". The print is shown flat and full frame in even early-morning window light, with paper speckle and slight ink grain. All text keeps a clear margin from the top and bottom edges. No other text.

A takeaway menu for a noodle bar, printed in two inks, tomato red and sky blue, on a cream card, lying flat on a dark walnut counter and filling most of the frame, seen from directly above in late-afternoon window light. Rounded cream panels on a sky-blue card, headings in a rounded condensed red face, items in blue caps with prices aligned right. Header: "LUCKY OTTER NOODLES" beside a small drawn otter holding chopsticks. Panel "NOODLE SOUPS": "SHOYU RAMEN 13", "MISO CORN RAMEN 13", "SESAME TANTANMEN 14". Panel "COLD NOODLES": "ZARU SOBA 11", "SESAME UDON SALAD 12". Panel "SMALL PLATES": "PORK GYOZA 8", "CUCUMBER PICKLES 5", "CHILI EDAMAME 6". Red footer panel: "OPEN TUESDAY TO SUNDAY · 12 TO 10PM" and below it "41 Wharf Lane". Slight ink grain, one corner of the card a little lifted. No other text.

A tear-off flyer for a weekday morning run club, screen printed in two inks, fluorescent orange and black, on white paper, taped with two strips of clear tape to a pale grey painted brick wall and filling most of the frame, in low early-morning sun from the left that casts a soft shadow under the tabs. "RUN" over "CLUB" set huge in a heavy tight grotesque in black, edge to edge across the top. Under it, a small orange text block: "Tuesdays and Thursdays", "6.45am · 5k, every pace", "Meet at the bandstand", "Ashby Park Run Club". Along the bottom edge, ten cut tear-off tabs, each printed sideways in black with "RUN CLUB 6.45AM"; three tabs are torn away. No pictures, no other text.

Use the layout of the sketch in Image 1: a huge two-line title filling the top two thirds, a date line under it, a small text block at the lower left. Make the finished poster itself, flat and full frame, not the notebook. A type poster for a neighborhood open studios weekend in May, screen printed in three flat inks, black, signal orange and cobalt blue, on white uncoated paper. Title: "OPEN" over "STUDIOS", set huge in a tight heavy condensed grotesque in black, each word filling the width edge to edge, overprinting one flat signal-orange circle that sits behind the O. Date line in cobalt: "Saturday 9 and Sunday 10 May". Small black text block at the lower left: "Forty artists and designers", "open their doors", "Granary Street and around", "11am to 6pm". White margins; all text well inside the sheet. Shown flat under even north-window daylight, crisp ink edges, slight ink spread. No pictures, no other text.

Change the date line to "Saturday 16 and Sunday 17 May". Keep everything else unchanged.

Image 1 is the poster: keep its artwork and every word exactly. Two copies of the poster are wheat-pasted side by side, flat and straight, on a clean whitewashed brick wall on a quiet city street, seen from the pavement at a slight angle in late-afternoon sun, a hard diagonal shadow from a street lamp crossing the wall. 35mm lens, natural color, both posters sharp and fully in frame. No other posters, no graffiti, no people, no other text.